Ballet Two

Master works with young ballerinas at the barre in class. Ballet school, female dancers on choreography lesson, girls practicing grace dance

Hayden Dance Program Requirements for Ballet Two:

The reason we want to have these requirements is because as we build and grow this program we want the dancers to have something to work for, and something to strive for that is clear for both dancer and parent. We want to be transparent and clear about how we hope the kids are able to excel in the program and that means creating a tangible set of standards that we can all check in with that will set a bar as kids grow and shift in their classes at the Hayden center.

Perry-Mansfield’s Mission is to provide young people superior arts training in body, heart, and mind and to promote creativity, a sense of the close association of the arts, and the values of a way of life close to nature. So these “standards” are to help the students find organized physical growth as we also explore and dive into the hearts and minds aspects of the arts in every class.

Ballet Two

Ballet Two introduces an expanded age-appropriate repertoire of ballet fundamentals. Students will continue to learn correct execution of turnout and placement in basic positions; continue to develop their coordination; and focus on age-appropriate spatial and body awareness. Students will work cooperatively with the teacher and their classmates, continue to learn ballet class etiquette, and work on strength and flexibility with simple conditioning exercises.

 

TO LEARN:

Ballet Two class expectations: 

Dancers will organize themselves at the bar without assistance, dancers will start to utilize time for personal stretching. Dancers will be kind to themselves and others. Dancers will take control of their bodies and voices in the space. 

 
Ballet Two Vocabulary expectations:

Students will develop a more clear understanding for basic ballet positions including first, second, and fifth. Students will know and understand demi, and grand movements specifically pertaining to  Plié. Students will recognize and execute with better understanding the following terms: demi plié, grand plié, arabesque, rond de jambe, sauté, tendu, chaīnés, passé, leap, pointe and flex, balls of the feet, turn out and elevé.

Students will be introduced to: Fourth position. Fondu. Safe warm up practices for them to start using on their own. Center adagio. Dancers will begin learning the preparation for pirouettes. Dancers will start learning common traveling steps from the corner; such as tombé, pas de bourrée, glissade. Dancers will begin learning the mechanics for jetés. Dancers will start placing more importance on their Port de bras (carriage of the arms). 

 
To move into Ballet Three:
  • Dancers will execute pliés, rond de jambes, and tendu combinations with ease.
  • Dancers will have started showing clear use of their core strength and balance. 
  • Dancers will be able to clearly demonstrate the mechanics of slow jetés. 
  • Dancers will start to be able to demonstrate the mechanics of  tombé, pas de bourrée, glissade. 
  • Dancers will show a clear understanding of stretching independently. 
  • Dancers will be able to perform clean and clear chaīnés. 
  • Dancers will be able to show a basic understanding of turnout. 
  • Dancers must demonstrate a sufficient level of interest, focus, and technical progress to advance to the next level of training. Students should want to move into ballet three.
 
Created by: Ebany Rae
Powered by: Perry-Mansfield performing arts school and camp

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